Fragments, rhythm, silence, and time — this is how I shape contemporary art. Now Online
My Story
Visual Artist and Documentary Filmmaker
I was trained to see. Through the lens of the documentary, I learned how to frame the truth, listen to silence, and give shape to stories that matter.
But one day, I turned the lens inward. Now I create with paper, metal mesh, ink, and memory. My hands follow a rhythm I don't control.
This is my story — made of images, fragments, and presence.
About Isaac Bencid - Visual Artist & Documentary Filmmaker
Visual Dialogues
Visual Dialogues
Visual Dialogues
My visual art practice began as a private space for experimentation, parallel to my work in video. Over time, it became a central language — a way to explore rhythm, silence, and personal transformation.
I work with collage, sculpture, metal mesh, and mixed media. Each piece is built from fragments: cut, bent, layered, and assembled until a new kind of structure appears — one that reflects both inner process and visual tension.
This section presents selected works from my recent series, exploring memory, displacement, and form as a living language.
Documentary Lens
Visual Dialogues
Visual Dialogues
For over 20 years, I’ve worked as an executive Producer and director at Fenix Media, and also as a documentary filmmaker, directing and producing films about artists, culture, and the human experience including Hall of Famer Luis Aparicio.
My background in audiovisual storytelling shaped the way I see, compose, and build meaning — both in film and in visual art.
This section highlights a selection of my documentary work, including award-winning films and artist portraits that have been featured across Latin America and the U.S.
Inner Framework
The systems that help me stay aligned — in art and life.
Understanding how I’m wired has transformed the way I create and relate.
MBTI gave me a starting point: I’m an intuitive feeler with a strong creative drive, split between depth and expression. It helped me recognize my mental patterns, my way of processing the world, and how I make decisions — both in my art and in life.
Later, Human Design brought structure to my energy. It showed me how to wait, how to respond, how to follow the pulse instead of forcing the outcome.
With Gene Keys, I’ve learned to read the emotional layers underneath action — the patterns I inherited, the gifts I hold, and the potential I’m here to embody.
These systems don’t define me, but they illuminate.
They help me stay in tune — with myself, my work, and the people I serve.
